Aussie Film Commission Defends 'Picnic' Handling, Attitude Towards Prods. (Variety Feb. 21, 1977)

The controversy over the handling of the Peter Weir feature, "Picnic at Hanging Rock" stepped up last week when the Australian Film Commission made a formal riposte to the interview in New York with Variety (Jan. 10) given by Jim McElroy, the films coproducer.

Alan Wardrope, the AFC's director of marketing and distribution, described McElroy's comments as "characterized by inaccuracy" and noted the tardiness of the film-maker in airing his views "some three years after the alleged events and some six months after the film has been sold to the U.S. market."

Wardrope also took exception to the way in which McElroy described the Film Commission as only recently to have "realized" the importance of the producer. Said he: "To suggest that the AFC has only just become aware of the importance of producers is naive in the extreme and serves only to deny the track record of the AFC in assisting producers to get their projects off the ground and into production and also to expose their finished product in the marketplace."

Getting specific about the controversy over the handling of "Picnic At Hanging Rock" by the Commission, Wardrope said: "Specifically, so far as 'Picnic' is concerned, all marketing decisions were made by investors and the Commission does not have a majority vote."

He stated further that "at no time was $1,000,000 placed on the film in negotiations for the U.S. and in fact at Cannes in 1976, the up fronts discussed ran from $250,000 to $500,000."

"The sale was eventually made by Milton Pickman of Los Angeles and the investors were delighted he accepted the film and delighted that he sold it,"Wardrope stated. As to a small U.S. independent getting what McElroy described as a six-month option on the film, Wardrope denies this. "No one ever had a six month option on the film, and to suggest this put the film's sales chances on the back burner for such a period is pure nonsense."

Stressing the AFC's role in the development of the industry, Wardrope said "The facts are that of all domestic funding sources the Australian Film Commission has not only put more cash into producers' hands than any other financing group, but also has put up most finance in terms of marketing advances and completion guarantees.

"When other investors balk at putting up additional to budged production costs, it falls to the AFC to come up with these funds so that the film may be completed and have a chance in the various international marketplaces."


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