The Why We Fight series of Propaganda Films

This is from the book Film & Radio Propaganda in World War II, 1983.

The 7th chapter of the book deals with the Why We Fight series of films. The author starts out by defining Social Engineering as "human behaviour can be manipulated towards socially desirable goals," or "the need to offer a reason why to an educated citizenry." Propaganda is basically a form of social engineering.

In the U.S. Army there was originally a Morale Branch, which ended up becoming the Information and Education Division, and they were the ones who worked with propaganda. "...the Why We Fight series must be considered one of its greatest achievements."

The author says that the series was definitely propaganda, that "Facts were selected with an eye to offering emotional reasons for supporting one's own war effort, the cause of one's allies, and for fearing and hating one's enemies."" The series consisted of the following:

1. Prelude to War, which divided the world into free and slave.
2. The Nazis Strike covered the Nazi invasion of Poland and the low countries.
3. Divide and Conquer: dealt with the collapse of France and the fifth column at work there.
4. The Battle of Britain
5. The Battle of China ("...flatfooted propaganda which relied on too much Hollywood feature filmage")
6. Battle of Russia
7. War Comes to America ("...tracing the growth of pro-war sentiment...")

"The original purpose of the films was to define war aims in an exciting but truthful fashion; in the end truth took a back seat to emotional patriotism."

In 1942, it became mandatory viewing for all military personnel. Three of the films were offered in regular civilian theaters, and they were also distributed worldwide. The Prelude to War film turned out to be a big hit. The Battle of China was apparently the weakest one, as it "...strained everyone's credulity too far."

"The Why We Fight films defined American war objectives to military and civilian audiences throughout the world in a way Roosevelt's Four Freedoms never could. It is the medium of film which provides the most comprehensive statement of war aims produced in America between 1941 and 1945."



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